Tag: DLKeur

In for a Digital Grand

Posted on by D. L. Keur

So, for the last three months, I’ve been eyeing my pianos — my acoustic pianos — thinking, I really ought to get back to playing regularly …get back to serious practice. After all, I’m not writing novels or books, right now (though that itch has been making itself known, too). I’ve successfully resisted the idea, though. It would mean getting a piano tuner/piano repair person in to go through both instruments — expensive (VERY).

Yesterday, along comes my husband (via cell phone conversation), who asks: “What would you think about playing piano, again? …As part of zentao, the music. I mean actually performing.”

I gulp, thinking about all the work and expense that means, me getting my chops back along with potentially having to restring and refelt one or both of my pianos. I mean, they’re both antiques, now, the upright grand built in 1917, the spinet in the 60s. And they’ve been moved and moved and stored and moved, again.

Then Forrest starts talking his musical Geek Speak — MIDI triggering, patching into the sound system, and a bunch of other jargon that I don’t understand.

Ummmm….

He talks on, speaking dreams and wishes, visions and hopes. I listen, my brain reeling as it starts connecting dots here and dots there. He’s not talking acoustic piano. He’s talking digital. Wow.

As he elaborates, I’m getting more concerned, more wary, and, simultaneously, more relaxed to the idea. I have the training and skill, though, as mentioned above, I’m very out-of-practice. And I can hear his excitement at the potentials he envisions, the first tune he wants to do being a Michael Hedges piece. He’ll arrange it tonight for me to play.

Now, we own three electronic keyboards. But we don’t (…or didn’t) own a digital piano, which is a completely different instrument.

He’s set on a VERY expensive keyboard he’s read the specs on. Meanwhile, I’m frantically doing a search for digital pianos. The keyboard he’s talking about is or can be a digital piano. It has the weighted keys. But it is not a digital grand. It’s a professional keyboard, designed for triggering stuff I don’t understand. A digital grand piano, on the other hand, is, in fact, a fully sampled grand piano.

As he talks to me throughout the day, I feel the inevitability. This is going to happen. It’s only a matter of ‘when’, and, since we’re both ‘now’ people, I realize that, yep, I’d better find what I want, and it has to be something we’ll both be happy with.

Yamaha makes the very best digital grand pianos. I hit Yamaha USA. I study the specs. I also go check out the unit he wants, and, no, it’s NOT a digital grand piano, which is what I want. Back to the digital grands. I read through the specs, the features. I look at the reviews of the one that first caught my eye. I check out the one I tried over in Spokane in July, a unit sitting on the main floor at Hoffman’s Music. I liked that unit. A lot. And it wasn’t over-the-top expensive. My eye travels back to the top-of-the-line model. Sigh. It’s got the top-of-the-line sampling, the GHS keyboard, and the damper resonance enhancements, which makes it act, play, and sound like a top quality acoustic grand.

Without telling him of my decision, I order one, and I order the three pedal add-on, because I play Rachmaninoff, not just Bach and Chopin. I need all three pedals, thanks. Would feel lame without them. Deal done, I text him about it. He’s good about it. In fact, this morning, he’s excited — more excited than me.

Me? I’m okay with the idea. I’m resolved to the fact that, yes, once again I’m going to be working very hard to get myself up to speed …up to the performance level he needs for what he envisions. Luckily, the piano is an easier instrument to play than the flute. (Yes, really.) I’m in for a grand — a digital grand. It’s coming in Friday.

An Epic Session Despite Residual Effects

Posted on by D. L. Keur

Nothing Else Matters

Residual effects from recording our video tribute to Chris Cornell still plaguing me, namely an ear-worm that’s been playing itself over and over in my head for a solid week, we set up for recording again, this time to record Forrest’s arrangement of Metallica’s Nothing Else Matters.

Nothing Else Matters has special significance for Forrest and I. It’s our love song, describing in music and words, how we feel about one another and, truly, about life with each other …and life in general, too. The music evokes the kindled essence of who and what we are to each other, to life, and to ourselves. The lyrics express our attitude, feelings, and perspective about life, others, society, and, yes, even the core of our love to and for one another. It’s our song in a lot of ways, far beyond normal significance.

Enough of all that stuff, though. Back to the session.

Because it’s rock, we keep it strictly in time to its intended tempo, recording under headphones to a click track …which makes it a bit of a trick, because intonation (staying on pitch) on the flute requires subtle adjustments, note by note on the fly …which requires both ears listening. To complicate things, the flute has delay (sometimes called echo) on it in places, and, later, both the guitar and the flute are under heavy distortion, the guitar chunky, the flute gritty and reedy. For me, this makes performing it a careful thing, because I must compensate accordingly for the signal lag that happens to the flute under distortion patches.

Add to that, in this session, my red light fright made my back and neck rigid with tension. Halfway through, it felt like I had knives or, maybe, ice picks, stuck, both, in the back of my neck and in my lumbar region — nasty, piercing, metallic sensations that worsened with the most subtle movement. By the end of the session, I was greedily, needily eyeing a bottle of pain killers, something I rarely ever take, no matter what. I managed to finish the session without resorting to chemical numbing, but just.

A few stretches, bends, and deep breathing techniques cleared the problem within minutes once I fled the studio, escaping outside into the night, there to assuage my taut nerves with gentle darkness and kind evening breezes. Then came the sound.

Session done, Forrest had opened up the studio windows and was playing the recording. It filtered out into the night and, listening, I felt awed. That was us!  From a distance, It sounded epic, and that’s saying something for a flute and guitar duo of a song that brings me, a woman who doesn’t cry, to the brink of tears.

“Nothing Else Matters”

So close no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
And nothing else matters

Never opened myself this way
Life is ours, we live it our way
All these words I don’t just say
And nothing else matters

Trust I seek and I find in you
Every day for us something new
Open mind for a different view
And nothing else matters

Never cared for what they do
Never cared for what they know
But I know

So close no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
And nothing else matters

Never cared for what they do
Never cared for what they know
But I know

I never opened myself this way
Life is ours, we live it our way
All these words I don’t just say
And nothing else matters

Trust I seek and I find in you
Every day for us something new
Open mind for a different view
And nothing else matters

Never cared for what they say
Never cared for games they play
Never cared for what they do
Never cared for what they know
And I know

So close no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
No nothing else matters

 

A Forced Abandon

Posted on by D. L. Keur

The Internet went down. Soggy cables of a crumbling infrastructure will do that when a melt happens. Of course, it happens other times, too, but that’s usually either rodents chewing through the lines…or somebody’s highway construction project severing the main trunk. Gleefully, I took advantage of the hiatus granted me from the Net–from having to deal with servers, email, and everything cyber. It let me concentrate…or should have, on working on my projects.

First day down and, yes, me without any withdrawal symptoms (I never suffer withdrawal from losing connection. The opposite, in fact.), I worked on my audio project…until the cyberzombies who were suffering withdrawal descended, wondering if I had Internet access some way. (They know me too well, I think…and, uh-huh, I did have a way to connect, but I didn’t tell them that, because, for me, it’s only for emergencies. Using it is hyper-expensive.) Second day down, and it’s Mom’s birthday, which means everybody and their puppy either calls or shows up–no appreciable work done.

And, then, the DSL came back up…earlier than predicted. (Grumble.) There is something to be said for having no connection to the world at large, except for what’s outside your door. Life is cleaner, less cluttered, less stressful, less concerned. I prefer it that way, but the reality is that, without connectivity, I become insulated from the reality in which most people live, experiencing only the reality of localized here and now. I would have no idea if nuclear war broke out…until I became a shadow burned into the ground–no terror possible.

I remember when I lived as a recluse for long years, only coming out maybe once a month if I needed some fencing material or food staples. And to get the mail. Back then, I had an early form of Internet, too–all black screen or telnet white screen, delivered via braided copper cable that I paid a substantial amount to have run to the property from miles away. Communication was limited to text, used by few, and completely devoid of trolls, advertising, and, mostly, malevolence from black box intruders. It also was devoid of inanity, breakfast bagels, and surf-by spammers. I was reminded of that time today when, coming back online, Nathan Lowell poked his head out long enough to type of few conversant lines with Anita Lewis and me. It was refreshing to commune with people you know are intelligent and of sound character.

The point? I don’t know if there is one. Yet, I know that the Net as it stands today is completely unfulfilling as a communication and connection medium. At least, for me.

 

February 16, 2017 – Changing Weather, Virtual & Real

Posted on by D. L. Keur

This morning’s chores included spreading traction sand on treacherous, water-slicked ice, because it’s so darned slippery, even with traction gear on feet and wheels, there’s just no way not to fall on butt or wind up in the snow bank. It’s raining…and, of course, flooding in some places where ice dams prevent drainage. (Not here. The water drains downhill from here. But, yes, out there.) Little cars wind up in trouble where water crests the road to levels where even jacked-up pickups roll through very slowly, carefully.

Another thaw has hit us, stripping all the remnant ice and snow from roofs and ledges. squashing down the giant snow berms and making icy slides of the mountains scraped and shoveled off the roofs. Nobody will be sledding down the garage roof, anymore, a favorite winter game for some. (Not me.)

I’m done with any labor, now, for at least an hour. Checking stats, I fill in my Excel spreadsheets with copy/paste, then nod as pre-set formulas churn out results, broadcasting them to a selected handful who will, in their turn, pass them on to others in the group. Miles away–thousands of them–my cohorts chatter on my live feed. We launched our latest project right on time in January, and, yes, our suspicions prove themselves already, though it’s only February.  Six-and-a-half weeks of tracking for specific patterns already shows the trends. I’m glad I’ve made my plans. I’m glad I’m already prepping for the changes that we suspect are happening.

February 15, 2017 – Diamonds in Experience

Posted on by D. L. Keur

Frozen diamonds greeted my bare feet this morning. Refreshing to the toes and soles, I delighted in the sensation of those crisp, frozen water nodules crackling underfoot. It sleeted sometime in the night–just a little–and it coated the truck, the drive, the ground with glowing shimmers.

Experiencing what we, in zentao, call ‘moment’ keeps me vital and life enraptured. For me, that’s important for my writing, my artwork, and, yes, even for playing my husband’s music. It keeps me enthused and refreshed. Without those experiences, what would life become? Just drudgery and duty? I don’t know.

I do know that I’m never bored, never lacking passion. There’s always something fresh and new to me. For me, experiencing compounds a desire to learn more, and, then, to express anew in word, in sound, in imagery, through my art, my novel writing, my musical performances.  So, no, never lonely, never bored.

Life is full and sweet, full of delight. It’s also, of course, filled with hardship, toil, and danger, but, even inside the frenetic and the frantic, there lives ‘moment’–the play of light and shadow, the scent of soil, of wood, of sweat or blood or mud, yes, even muck, the sound of snapping wood and of the storm wind’s turbulence, the sting of frozen fingers thawing, the taste of terror fading on the tongue as panic eases. There’s always something to stimulate an awe in me.

I guess that’s why I’m flummoxed when acquaintances arrive, bemoaning loneliness and boredom. Even when I worked at a job requiring me to perform repetitively like some machine, I never experienced what they suffer, so I never know quite what to do or say. It’s not a shared experience.